Never ending forest walk
-- Shield of Wings --
28/01/2022
Stijn Daneels
Album genres:
■ | Gothic Metal |
■ | Syphonic Metal |
Album artists:
■ | Lara Mordian | Vocals |
■ | Aliyah Daye | Support & Harsh Vocals, Keys |
■ | James Gregor | Guitar & Orchestrations |
■ | Patrick Eulitz | Drums |
■ | Alex Luke | Bass |
Review written by Marjolein “Mrs. Metal Shredder” Deduytschaever.
A little background
“Unfinished”
is the first full length from this American gothic, symphonic metal band
“Shield Of Wings”. This album is self-released and is send to us by Curtis
Dewar Promotions. This release is only their second release (besides the two
singles this year) even though this band already exists since 2005.
This album
is just my cup of tea, a symphonic metal band with as theme the mind and
everything to do with the psyche. This is to my liking because for me it’s
quite important to find myself in music, being in the lyrics or the tunes, here
the both are combined.
The songs themselves
The opening
song of this album is the very appealing song “Crushing Hail.” It starts with an
operatic part that introduces the rest of the album. This song is vocal wise
the most typical symphonic metal song on this album and gives me kind of a
“Nightwish” vibe. The pounding drums and shredding guitars give the song a bit
of a thrashy vibe. Next up is
“Native Colossus,” a tune with more folk metal weaved into it. In this tune
Lara switches between deep vocals and her falsetto voice, this is alternated
with grunts from Aliyah. This interplay of voices
ensures a balanced song. Once again there are pounding drums, but these are
significantly less in the calm and melodic parts in this tune. The parts where
the music progresses in a faster pace, once again have a bit of a thrashy vibe.
The third track
is called “Breathing” and is by far the darkest track on this release, with
dark grunts and snarling vocals alternated by clean vocals. This darkness is
supported by the menacing guitars. The chanting at the end of the song make me
feel that the band meant to make it feel like you can’t breathe anymore and the
end is near.
Continuing
with the fourth song “Frozen Harbor,” which starts instrumental and then
progresses in a very operatic chant, this only to continue in a very folky
symphony. Besides the first song this is also a very typical symphonic metal
song.
Following
is “Cedar,” a folk inspired metal tune, the keys are played in a very light and
airy way that makes this song way more folk inspired than the rest of the
album. At the end of this tune the keys are kind of synth like, this gives the
song more of an 80s vibe.
The sixth
track “Wetland” is the first single of this release. This single ( and like the
following) has been released this year. This track is in my opinion the most
balanced track of this album, this because shredding guitars and pounding drums
are perfectly accompanied by the angelic full vocals and occasional grunts. It
keeps me longing for more which is perfect at this moment on the album.
The next
song is “Mind of Myth” and starts in such way that you are curious what’s
coming. The beginning of this song starts as a medieval like chant that invites
you into this song in a way. In this medieval chant Lara’s voice fits perfectly
because of her full and deep sound. This chanting continues in the chantlike
singing that’s being used in this mysterious song.
Following
is “Sunfire Shower” this tune feels more like power metal tune because of the
fast and swift guitars and the clean vocals and the short part of snarling
grunts. The fast pace is a nice waking up song after the slower rest of the
album. The ninth track, “Come Home,” is a very serene and calm ballad. This
track is also the shortest on the whole release. The vocals are also a bit
higher which guides the more serene and angelic way of this song.
The last
song of this very successful first full length of “Shield of Wings” is called “The
Scarred Clay Reshaping” and starts with an acapella part that progresses in an
symphonic wall of music. This last song is a great conclusion for this release.
The vocalists are both singing in this song and the guitars have fast,
shredding parts but also sweet and mellow parts. Whereas the drums also have
mellower parts but also very pounding ones.
My conclusion
In
symphonic metal, female vocals are very often really operatic and high pitched,
where Lara’s voice is rich and a couple of octaves deeper (even though her
falsetto voice is equally stunning). This creates a very soothing and relaxing
atmosphere and is definitely a strength to this very beautiful album.
This
release is alternating between the pure symphonic orchestral parts and the more
dark and menacing parts of the gothic metal. This not only in the tunes but
also in the vocals. The grunts and menacing vocals of Aliyah fit beautifully in
this symphonic metal that flirts with gothic and thrash metal. If I could give
one point of remark, the songs are a bit overly lengthy, this is not terrible
but if you don’t like long songs, this will sadly be not really your cup of
tea.
At times
this record reminds me heaps of “Nightwish”, “Epica” and “Delain” but most of
all are “Shield of Wings” doing their own thing and that suits them very well,
this album is one to never stop listening to. This record and band in extension
has definitely potential to become one of my (and many others) favourites.
My score
90/100