
An etch worth scratching!
-- Turpentine Valley --
17/02/2020
Stijn Daneels

Album genres:
■ | Post-metal |
Album artists:
■ | Kristof Balduyck | Guitars |
■ | Thomas Maes | Bass |
■ | Roel Berlaen | Drums |
Review written by Stijn "Metal Shredder" Daneels.
[METAL SHREDDER REPORTING]
Late 2018 I
attended the second edition of the Zingem Beeft metal festival. While the event
featured established Belgian metal acts like Hexa Mera, Ironborn and Signs of
Algorithm the event’s opening band, Turpentine Valley, did leave quite a positive
impression on me with their simple but powerful post-metal style, further
augmented by the soft candle lights which drenched the venue in a dreamy atmosphere!
Last month I saw the band perform again, this time at Grimm Gent’s Jeugdhuis
Asgaard and once again I was quickly dragged into Turpentine Valley’s
post-metal dream world. And now, my friends at Hard Life Promotion provided me
with the band’s debut album. Needless to say, my Shredder claws are sharpened
up!
[SHREDDING BASICS]
“Etch” is
the debut album from the Belgian post-metal band Turpentine Valley and is
released by my neighboring record label Dunk!Records (yeah, their HQ is only 7
or so kilometers from where I live). The band was formed in 2016 but its members
have gathered plenty of earlier band playing experiences in the past, both
individually and collectively.
Turpentine
Valley’s sound is self-described as pure post-metal and that’s a description I
can certainly agree with. “Etch” features classic post-metal inspired by the
likes of Russian Circles, Deftones and more, filled with melodic guitar riffs,
grinding bass lines and galloping drums. None of the songs have vocals and that
allows the other instruments to thoroughly shine. And they damn sure shine!
Turpentine Valley’s style mainly consists of howling main riffs layered over by
additional guitars, bass and drums of varying speeds and intensities. The music
creates a dreamy setting which at times floats around in peace and harmony and
at others crashes down with raw metal fury. One exception is the short
intermission “Ballast,” which features screeching electronic tunes along with a
gentle guitar humming in the background.
I’d say
Turpentine Valley’s biggest strength aside from the dream/nightmarish atmosphere
is their sense of pacing. The band perfectly switches between soft, psychedelic
melodies and heavy pounding beats at just the right moments, effectively
building up to the heavy parts and afterwards cooling everything down by
gradually deconstructing the earlier furious beats.
[SHREDDING VISION]
The song titles
on “Etch” are kept short, simple and vague with names like “Compromis,” “Ballast,”
“Trauma” and “Compassie” and this combined with the vocal-less delivery gives
the songs plenty of room for self-interpretation and so does the album’s
artwork. With the pitch black front cover and white snow (maybe it’s a distorted
TV-screen) and the flock of birds circling around (I assume they are birds).
Hey, maybe this album’s cover is some kind of Rorschach test! I wouldn’t be
surprised, given the sheer musical and visual ambiguity this album evokes.
[SHARPEST SHREDS & BLUNTEST BLADES]
I’m going
with the album’s single, “Trauma.” It’s such a smooth sounding tune with the
crunching bass (acting as the song’s main riff), the highly expressive guitar
melodies (that kind of feel like vocals) and the echoing drum beats. I’ve
always been a sucker for rippling bass so this song quickly grew on me and the
other aforementioned elements make this song all the more epic. And to top it
all off, this song is 8-minutes long. It’s not easy to keep me interested in
long songs but “Trauma” sure gets the job done!
Another
personal favorite on the album is the song “Compromis.” I love the track’s
opening marching rhythms that gradually transitions to a very meditative tickling
before going back to the heavy pounding. So, do I have anything negative to say
about the album? Well, “Etch” is available on vinyl and via Bandcamp but not on
CD. Such as shame, I would’ve loved to buy this on a sweet silver disc. In any
case, I give Turpentine Valley’s “Etch” …
[SHREDDER’S SCORECARD]
8 black
holes out of 10. I admit that releases like Turpentine Valley’s debut album ignite
my appetite for the post-metal subgenre. The album has a mysterious and
seductive sound that proofs how less can sometimes be so much more!
Well-recommended to all post-lovers out there! Here’s one hell of a “Trauma!”