
The technical side of hell
-- Thanatos --
20/05/2019
Stijn Daneels

Album genres:
■ | Progressive death metal |
■ | Technical death metal |
Album artists:
■ | Ian Waye | Vocals, guitar, bass, drums |
Review written by Glenn “Terra Shredder” Van
Bockstaele.
Thanatos (not to be confused with the Dutch death
metal band of the same name) is the one-man technical death metal project from the
young Canadian multi-instrumentalist Ian Waye, former guitarist of thrash metal
act Albedo. His eponymous debut EP is an independent release provided to us by
our Canadian friends at Asher Media Relations.
This 4-track release kicks off with “Call Of The
Hellenistic Progenies” a 6m40s tune of competent death metal featuring the
typical abrupt tempo switches, crisp and greasy grunts, several technical
guitar solos and blast beats. It also adds in an acoustic guitar intro, a slow
ambient middle part and even a couple of deathcore breakdowns. It all helps in
making this track’s lengthy runtime varied and engaging. Next up is “Among The
Throes Of Annihilation,” another multi-faceted song that smoothly passes the
6-minute mark and which has a more frantic and brutal atmosphere. It also
features more breakdowns and an even bigger barrage of beautiful guitar work.
The EP’s third track “Prelude Of The Heretic” is a
9-minute instrumental that starts and ends with classical violin and cello and doing
the usual technical death metal violence in between. And in this particular track
Ian shows off some vicious drum work along the now familiar and still awesome
guitar riffs, resulting in another long tune that kept me interested throughout.
And finally there’s “Shores Of Styx,” one last tune featuring similar guttural vocals,
drum frenzies and high-tech guitar riffs as you’ve already heard in the past
three songs. Nothing more, but certainly nothing less!
Despite the muffled production, Ian Waye’s solo
debut is certainly impressive, especially given the fact that he basically made
this all by himself and on a likely very limited budget. While Ian has a solid
voice and can play a good drum game (especially in the third track) it’s clear
that his guitar skills are his main strength. The riffs and solos he unleashes
throughout this EP are truly magnificent and it makes the EP stand out from the
usual death metal stuff I’ve shredded in recent months. And while the EP’s length
is short, the depth of the material presented here does encourage multiple listening
sessions. Well recommended stuff for every death or extreme metalhead out
there! Here’s the EP’s epic opener “Call Of The Hellenistic Progenies.”
80/100