A Sweet Suffering try-out show review
-- A Sweet Suffering try-out show --
01/01/1970
Stijn Daneels
[INTRODUCTION]
Review
written by Stijn “Metal Shredder” Daneels, pictures by Marjolein “Mrs. Metal Shredder”
Daneels.
A few weeks
ago we were invited to a private try-out show of the fledging Belgian metal
band A Sweet Suffering. The venue was a large garage of some local company and because of this improvised nature, the atmosphere felt
genuinely underground. Some time before the try-out I had reviewed A Sweet
Suffering’s debut EP Carn(IV)al (read my thoughts on that one here: https://www.belgianmetalshredder.be/reviews/434).
Although I
had been quite critical about the EP (mainly the production quality) I’ve never
been the person to completely dismiss a band (and I never will) and so I was
curious to see the band perform live and see how they would be doing in a live
stage.
[A SWEET SUFFERING]
A Sweet
Suffering played a 30-minute gig at both 15h (3 PM) and 18h (6 PM). We arrived
at around 18h, just in time to see the band kick off their try-out session. The
band played their Carn(IV)al EP in its entirety starting of course with its
opening track “The Outback Curse” and for me, that was the weakest song on
their set. Like I said in the EP’s review, I like the opening didgeridoo sound
effect but it goes on for too long and it takes too long for the band really
get things going. For me, I hope they’ll be eventually moving away from this
track except for using a variation of the didgeridoo opening that they could
use as a band entrance, appearing on stage one by one as the didgeridoo howls
through the venue (and ideally while the stage is engulfed in darkness and smoke).
Fortunately,
the songs that appeared later on in the gig (like “Dogma” for instance), were better
paced and showed to me some of the band’s current strengths. And those strengths
for me are in the band’s combination of doom, death and thrash metal that they
intertwine throughout their songs and while the whole thing can still be knot
together more tightly, I believe this could be good direction for A Sweet Suffering
to move towards.
In terms of
stage presentation, the guys of A Sweet Suffering definitely had fun on stage
and danced to their self-played beats although I did wish there was some more interaction
between the band members. During their try-out everybody within the band kind of stayed inside
their own individual bubbles. Fortunately, the band also took the effort of
decorating the stage a bit, they put on a nicely sized banner at the back with
their name on it and their logo was put on the speakers on both sides of the
stage. Let’s hope soon enough they’ll be able to get enough budget to make flags with their
logo on it to put on stage, that would give the stage an even better look.
And finally,
I’d like to talk about the live sound mixing and despite the venue not being quite
made for live music performances, I did feel that the overall sound mixing was
pretty balanced. The bass was sharp (always a plus for me), the riffs and
vocals sounded crisp and the drums felt beefy. So yeah, given the fact that the
Carn(IV)al EP had such poor mixing (which wasn’t the band’s fault, they were victims
of someone stealing the audio recordings, leaving them with nothing but salvaging
whatever they could and put it together).
[CONCLUSION]
{
In the end,
the band was grateful for everyone who came over to see them (which were about
30 to 40 people, which was pretty good given the small warehouse they were
performing in). Everyone was pleased and as for me, I was also thankful to be
there.
A Sweet Suffering still has many rough edges, but fundamentally I’ve
got good vibes about this band and their potential. Now I’m going to patiently
wait for some new (and this time properly produced) material from this fledging
act or another live show (they’ll be playing this November 11 at the Kids Rhythm
and Blues Café in Antwerp with another death/thrash metal act called Poseydon
so that looks interesting).
}