
Living a fantasy, dreaming on ecstasy
-- Cobra Spell --
31/05/2022
Stijn Daneels

Album genres:
■ | Hard Rock |
■ | Glam Metal |
Album artists:
■ | Angelina Vehera | Bass |
■ | Sonia Anubis | Guitars |
■ | Alexx Panza | Vocals |
■ | Léonard Cakolli | Drums |
■ | Esmée van Sinderen | Guitars |
Review
written by David Hardy.
While many
of our young people are still convinced that the pinnacle of music is between
JUL and Aya Nakamura, others have had the good idea to succumb to the
devastating riffs of Kiss and Van Halen! Maybe even without ever having watched
"Jem and the Holograms” tv-series from the 1980s.
It's rare,
but when it happens, we get big surprises! So, between two classes, a young
girl from the Netherlands named Sonia Anubis goes from "young girl"
to youtuber, guitar hero, sex symbol, lead guitarist of bands like Burning
Witches & Crypta… that's a lot of titles for a 22 year old girl! And finally she's the founder of the band we're interested in today, I've named "Cobra
Spell". And you know what? It doesn’t end there, because Sonia also worked
on writing the texts, the composition, the arrangement and the production! So
yeah, we have one true passion project on our hands here, something pretty much
made by one artist all by herself (with assistance from others, of course).
THE DISCOVERY
So let’s
now talk into detail about her band Cobra Spell whose members are all really
top notch! If glam metal is to be reborn it will undoubtedly be with Cobra
Spell at the head of this renaissance! All the aspects, visual, technical,
melodic and vocal are there! It's even quite appealing because you can feel the
touch of a band's heyday from those years! Everything, even in the video clip,
transpires the beautiful years of glam metal.
So on this
second Cobra Spell EP “Anthems Of The Night,” it’s all killer, no filler. If I
had to point out one track I enjoyed less than the others, it would be the last
one (called “Accelerate” but why that one? Well, simply because the others are
a bit more inspired... that's how far you have to go to make a selection! But geared
up with the industrious attitude of "I have to do my job" I'm going
to criticize the four titles in a like/dislike way. I warn you that it's going
to go fast!
Addicted to
the night:
+ : Stylish,
catchy riffs and lyrics and powerful, you can clearly hear the bass (yessss!!)
- : Throat
effects of singer Alexx at 2:15 aren’t great (it feels forced)
The
midnight hour:
+ : Chorus
well felt, lyrical flights well done, solos and duet of guitars in the hair
between solos + supports of solo and duets are well brought
- :
Uninventive drums, they lack any solid rhythm
Steal my
heart away:
+ : Melody of
the song stays in my head, it feels like a ballad but is faster and more
energetic
- : Not
convinced of the guitars overlapping at 0:43, reminds me of another track but I
can't remember the name, not a fan of the Alexx’s thrusts at 2:43 (vibrato)
Accelerate:
+ : Song is
a perfect example of the great guitar tandem of Sonia and Esmée their solos
play off beautifully from one another
- : It
feels too lengthy and repetitive, I believe both the seemingly endless guitar jamming
at the intro and ending could be cut down a bit
- : the sample
sounds of engines starting and cars crashing is a bit cheesy

THE CONCLUSION
As a whole,
I like "The Midnight hour" the most because it reminds me of the
great Aerosmith era! It must be said that with Alexx Panza, the singer (Jon Bon
Jovi revival!) and his flights of high notes, Esmée's powerful back and forth riffage
and Sonia’s solos, "all I need is the Nobel Prize."
All things considered,
every euro, every cent spent on this album is worth the investment! At this
point it's no longer a purchase but an investment! Everyone plays/sings just
right. This is more than just a band with flamboyant glam looks and a desire to
throw us back to the 1980s rock. This EP has everything I want to see, hear and
feel in my glam metal. A great and mastered voice, inventive drumming that hits
clear and distinct, a rhythm guitar that is just right and efficient and
perfectly underlines the melody and the solos, a bass that is probably a bit
too subtle (it's normal for the style) but that by the same token proves that
it fits perfectly into the whole and brings enough that it doesn't go into full
high notes completely inaudible, and finally a soloist that is just goddess
level for the compo and the playing! And I almost forgot the backing vocals, which
they do super well, at the right time and for the right reasons!
MY SCORE
9/10