Don't, don't deny me!
-- Sister May --
26/04/2022
Stijn Daneels
Album genres:
■ | Grunge rock |
■ | progressive rock |
Album artists:
■ | Bert Goethals | Vocals |
■ | Carl Vangheluwe | Guitar |
■ | Wannes Desramault | Bass |
■ | Stefaan Degryse | Drums |
■ | Pieter Desmet | Keyboards |
Review
written by Stijn "Metal Shredder" Daneels.
[METAL SHREDDER REPORTING]
Last November
I shredded the Sister May single “The Kneep” (read my review here: https://www.belgianmetalshredder.be/reviews/327)
at the request of the band’s frontman Bert Goethals. When Sister May released
their latest single “Dope,” last February, Bert once again asked for my
thoughts about their new tune. And now that Marjolein “Mrs. Metal Shredder” and
I have finally finished moving in together and so allowing Belgian Metal
Shredder to run at full speed once more, it’s finally time to shred through
Sister May’s new single (that is until their upcoming third single called “Headshot”
will be released in about 10 days from now).
[SHREDDING BASICS]
“Dope” is
the second single for the upcoming full-length of the Belgian rock band Sister
May which is scheduled for release somewhere in 2023. “Dope,” like the previous
single “The Kneep” is released independently and sent to us both by the band and
by our Dutch friends over at Hard Life Promotion.
This new
Sister May single begins with a solid 15 seconds of marching, metallic sounding
beats before a dramatic pause sets in. Then headbang inducing drums and melodic
guitars kick in and finally Bert’s soothing voice takes over, backed by bluesy
bass, soft drums and a seemingly joyful combo of keyboard and guitar. Eventually
the song transitions back to bashing drums and roaring guitars & keys with
Bert going for a more aggressive vocal style (while still remaining crystal clear).
The song’s final part is a minute long session of furious yet melodic riffs with
the high-note keyboard tunes providing a weird sense of insanity to the song’s
finale (almost sounding like a ticking timebomb) while the once prominent vocals
move to the background.
As was the case
with “The Kneep,” Sister May’s “Dope” has a menacing, brooding atmosphere and
smoothly switches between intimate and aggressive sections to keep things engaging.
I do find the single’s opening a bit weird, it is as if the 15-second opening
jam is Sister May finishing one song and then moving on to “Dope” itself right
after the silent interval (maybe that’s going to be the case when they perform this
song live on stage and how the song will be used in the eventual album). In any
case, if you enjoy classic grunge acts like Nirvana, Alice In Chains or
Soundgarden then I can certainly recommend you this Belgian-made grittiness.
[SHREDDING VISION]
The lyrics
of “Dope” are pretty ambiguous (another hint at their grunge influences).
Personally, I believe the song is about the mental torment of being misunderstood
by society and having no place and nobody where or who you can be yourself
without being “denied.” In fact, Sister May believes that being misunderstood
can mark you as a “joker” and considered a town’s fool and that this despair will
eventually break you down into depression or rage with all the destructive
consequences that go with that.
The music
video of “Dope” begins with the band performing the opening melody in a similar
location as wherein they performed their earlier single “The Kneep” until vocalist
Bert suddenly walks out of the building, leaving the rest of the band behind (who
remain completely still as if frozen in time). Bert then roams through desolated
city streets, passing run-down apartments, graffiti walls and enormous
factories. One very nice detail is that he runs during the fast parts and walks
during the slow parts. Eventually the footage of Bert walking and running rewinds
until the very moment he was about to abandon his bandmates. After a moment the
rest of Sister May “unfreezes” and then the band performs the final part of the
song all together as if nothing had happened. Once again, Sister May’s music
video has a beautiful, contrast-rich black-and-white aesthetic. I also enjoyed the
tracking shots (a video direction style I like a lot since it allows you to
truly focus on one character and bond with him/her) as well as the concept of
time standing still, moving forward and rewinding. I consider this concept of
time as a metaphor of how we can always return to a better place and redeem
ourselves and others from the mistakes of the past.
[SHREDDER’S SCORECARD]
9 Jokers
out of 10. A powerful, intimate tune accompanied by an aesthetically pleasing and
originally themed music video. Sister May’s “Dope” is another indication of
Sister May’s musical growth since their 2018 debut EP and it makes me even more
curious to hear the complete album once it reaches us all next year. If you
enjoy dark and gritty grunge with a huge sense of melody and relatable themes,
then check this out.