
Altitude of longevity
-- Beyond The Labyrinth --
08/12/2021
Stijn Daneels

Album genres:
■ | Hard Rock |
Album artists:
■ | Geert Fieuw | Guitars, backing vocals |
■ | Dominic Heynderickx | Bass |
■ | Michel Lodder | Drums |
■ | Filip Lemmens | Vocals |
■ | Eddy Scheire | Keyboards, backing vocals |
Review written by Stijn "Metal Shredder" Daneels.
[METAL SHREDDER REPORTING]
Beyond The Labyrinth is a band that we’ve been following since 2017 when
they released their awesome fourth album “The Art Of Resilience” (read our
review: https://www.belgianmetalshredder.be/reviews/66). Ever since, we’ve remained in close contact with the band including
shredding our way through their 2018 EP “Brand New Start” (https://www.belgianmetalshredder.be/reviews/172) and we even financially supported their upcoming and highly
anticipated new album “XXV” and now that we’ve received our physical copy, it’s
time to give Beyond The Labyrinth another big shred!
[SHREDDING BASICS]
“XXV” is the fifth album of the Belgian rock band Beyond The Labyrinth and
is released independently. The album serves as an anniversary album to
celebrate the band’s 25-year existence and mainly features brand new material as
well as 2 fan-favorites newly recorded with Beyond The Labyrinth’s present
lineup.
The album begins with “Altitude Of Energy” a joyful and chilled-out tune
that’s full of 1980s motivational vibes and therefore would fit very well as a
tune for the classic training montages from the Rocky movies. Then comes “Louder
Than Thunder,” a faster and more keyboard-driven song that makes me think of a
blend between Deep Purple’s keys and Iron Maiden’s gallops.
Things get darker with “Invisible Battle Scars,” the atmosphere of this
particular song is emotional, introvertive, dreamy (and at times nightmarish)
and I especially love singer Filip’s tearful delivery. Beyond The Labyrinth
goes rocking with “Nothing Comes For Free,” featuring heavy bass, raunchy
vocals and drum beats to shake your body to. Organs fill the air when the next
song “Dedicated To Sir J./Rush Rush Rush” comes in and the fast, drum &
keyboard-driven beats especially made me think of 1970s Deep Purple and there
even is a guitar/keyboard solo duel to top it all off. The song made me think
of going to a carnival and seeing the colorful carousels, the wild
rollercoasters, the fun music, the candy stores and all the people there having
a great (and hopefully not too expensive) time.
Next up is the single “Falcon Eye” which we described in great detail in
the single review we did last May (read it here: https://www.belgianmetalshredder.be/reviews/301) and it still sounds exactly like it was back then. A motivational and
catchy song with melodic guitars and keyboards playing the main tune in sweet
harmony. Track 7 is called “In Camera” and is one of the slowest and most
intimate tracks on the album, it almost feels like the peacefulness of a photo
session with the people both in front and behind the camera standing still and focusing
themselves on making the best picture possible.
Then comes another joyful track called “This Is How We Roll” and it’s a
significantly heavier tune compared to most of the other album’s tracks. It has
very catchy lyrics and a huge anthemic vibe. I think this track would serve
particularly well as an ending song for future Beyond The Labyrinth gigs.
Straightforward, energetic and powerful. “Improve, Enhance,” is another 1980s
like inspirational tune and is especially contemporary given the ongoing
pandemic and it even features the first fragment of one of Mohandas Gandhi’s
most iconic quotes.
“Up There In The Sky” is very catchy & rhythmic and even has some
techno and disco tunes. It’s a very danceable track as well sure to get your
head banging and your feet tapping. “Rise Above” served as the B-side of the aforementioned
“Falcon Eye” single and, as I discussed in the single review, features jazzy
saxophone, soft drums, motivational lyrics and a big Vangelis Blade Runner
feel. “Long Way Home” is the final original track of “XXV” and starts off with a
gentle opening before it explodes into the chorus and then the song continues its
introspective story of a band who just has just finished an intense gig and are
now preparing for the long road back home while also looking forward to the
next show.
“XXV” also features two bonus tracks of fan-favorite live songs that were
never released on physical formats before, “Healer” and “Wings.” Both
re-recorded with the band’s current lineup. “Healer” is a that I remember from the
Beyond The Labyrinth songs I attended and while I didn’t know the song by its
title, its energetic tunes and catchy multi-vocals made it instantly recognizable
to me. And finally “Wings,” a song that I don’t quite recall from the past
shows I saw with the band but it still is a fun tune that smoothly switches between
slow and moody sections and faster parts and a nice philosophical message, like
many other Beyond The Labyrinth songs.

[SHREDDING VISION]
While Beyond The Labyrinth’s signature triangle is still present, the
artwork of “XXV” is unusually sober compared to the band’s recent artwork. While
previous releases like “The Art Of Resilience” & “Brand New Start” featured
colorful artwork, “XXV” has plain black cover art with the Roman numerals that
make the album’s title as well as the band’s name in bright silver colors. And
the iconic triangle is peacefully looming in the background.
Thematically, the songs on “XXV” are as varied as the music itself.
Topics including flying (both physically and metaphorically), mental trauma, the
daily life and grind of a rock artist, photography, intimacy and more. I’m
pretty sure that at least one of these songs will be relatable to most people,
I for one, certainly have a few tunes that remind me of past life experiences.
[SHARPEST SHREDS & BLUNTEST BLADES]
I’ve got several favorites here! The inspirational “Altitude For
Energy,” the energy of “Louder Than Thunder,” the darkness of “Invisible Battle
Scars,” the keyboard/guitar chemistry of “Dedicated To Sir J./Rush Rush Rush,”
the anthem “This Is How We Roll” and the rhythms of “Up There In The Sky.”
There’s isn’t anything truly negative I could say about “XXV.” Maybe the
production could be a bit beefier (but the band still did a great job
production-wise despite most of the album recorded in the band members’ own
homes) and Beyond The Labyrinth’s style might be a bit cheesy to some
(especially those who dislike 80s synth sounds). But the one thing I’m sad
about is that this is only the fifth Beyond The Labyrinth album despite the
band being formed in 1996. Sometimes I think of how big this band could’ve been
today if they had put out more material and played more gigs in these past 25
years. Still, Beyond The Labyrinth keeps on thoroughly entertaining me ever
since I’ve begun listening to it and this celebration album is no exception at
all.
[SHREDDER’S SCORECARD]
9 airstrips out of 10. A beautiful celebration of their 25-year
existence, Beyond The Labyrinth’s “XXV” album is a long and varied set of tunes
that all breathe classic rock (and even a bit of disco, jazz and funk here and
there) and offers you a deep, intimate and quintessential view of what this
band is all about. If you enjoy such iconic vintage acts like Deep Purple,
Queen, Iron Maiden, Pink Floyd or Abba then Beyond The Labyrinth is definitely
worth checking out. From here to Tokyo!