
Our fight will carry on!
-- Kerbeross --
14/07/2021
Stijn Daneels

Album genres:
■ | Symphonic death metal |
Album artists:
■ | Laurent Longeval | Vocals |
■ | Pieter De Geest | Guitar |
■ | Paul Leimbach | Bass |
■ | Ties Jehoul | Drums |
Review
written by Stijn "Metal Shredder" Daneels.

[METAL SHREDDER REPORTING]
I remember playing a Kerbeross tune (specially a demo version of “Artifacts”) back in September 2019 on our currently retired radio podcast Belgian Metal Shredder On Air. Recently bassist Paul sent me link to download their new EP “Servants” so it’s now time to thoroughly shred my way through Kerboross.[SHREDDING BASICS]
“Servants” is the debut EP from the Belgian symphonic metal band Kerbeross, released independently. Earlier the band had already released a couple of singles like “Carnival I,” which isn’t included in this “Servants” EP. The EP mostly features songs the band has written between 2011 & 2020 and a couple of brand songs.
The EP
begins with a short and menacing opening orchestra called “Omen” and then moves on
to “Hellscape.” A frantic tune that instantly reminded me of the Italian A-list
metal act Fleshgod Apocalypse but Kerbeross does add a couple of twists by
including a couple of slower sections with clean vocals and melodic guitars and
an intense breakdown near the end. Then the band moves on to “Artifacts” and,
having listened to an old version of this song 2 years ago, it felt great to
hear how much better the final product ended up to be. Tight beats, high-octane
melodies and a catchy chorus in which the clean singing beautifully blends with
the underlying blast beats as well as said vocals going together with the harsh
grunts and female soprano backings.
The next
track, called “The Hunt,” slows down things considerably while still maintaining all
the usual Kerbeross ingredients, a nice tune, not much else to say here. Then
comes the title track of “Servants,” which puts more emphasis on the band’s
symphonic side, it also includes a beautiful guitar solo and I hope the band
will add more solos in their next songs. The EP ends with the lengthy “Through
Purgatory” that, like “Servants” before it, is a newly written Kerbeross tune and once again
the band expands on their sound with more orchestral instrumentation and guitar
distortion. Quite a cinematic ending to this EP.
Rather than
disposing of their old material to rot for good, Kerbeross decided to pick up
their back catalogue and meticulously improve on them in all possible songwriting
and production aspects and so transform them into powerful and energetic symphonic
death metal tunes. And the EP’s last two songs showcase the band’s expanded
creative prowess even more. I’ll certainly be keeping my Shredder eyes on this
fledging band for the foreseeable future.
