
Mathematical bloodletting to the core.
-- Bleed Someone Dry --
26/02/2020
Stijn Daneels

Album genres:
■ | Deathcore |
■ | Mathcore |
Album artists:
■ | Alessio Bruni | Vocals |
■ | Jonathan Mazzeo | Guitar |
■ | Niccolo D'Alario | Guitar |
■ | Mattia Baldanzi | Bass |
■ | Alan Syo James | Drums |
Review written by Glenn “Terra Shredder” Van Bockstaele.
Bleed Someone Dry is an Italian deathcore/mathcore band formed in 2007. That
same year they released their debut “The World is Falling in Tragedy” and after
some lineup struggles they found their core substance in May 2012 and that same
year they went in the studio to record their second album “Subjects”. In 2014
they signed with Italian record label Wormholedeath who rereleased the “Subjects”
album and then the band toured with I Declare War. In 2015 they released their
third record “Post Mortem/Veritas” and supported major acts like Gojira and
Cryptopsy.
And now I have received their fourth album “Unorthodox.” The album kicks
off with “Vexation” that beautifully introduces all the elements of Bleed
Someone Dry’s sound. Deathcore growls and distorted guitars combined with
progressive mathcore and ambient sound effects. It's a mix that goes very well
and blasts even more furiously in the next track, “Deceiver,” which even has a
sweet melodic touch. The title track of “Unorthodox” is another great blend of
heavy deathcore beats raging on while the progressive mathcore jingles in the
background. The title track also features a mesmerizing chorus between the
ranting vocals.
Track 4, “The Worst is Yet to Come” is a slower song with scorching main
riffs and some of the most furious vocals on this release combined with bone-crushing
breakdowns. Then comes “Plague of Broken Dreams” which is a more melodic tune
with drilling drum beats and powerful guitars. The next track, “All That We'll
Never Have” is another great example of Bleed Someone Dry’s flexibility, a nice
mathcore sound with the pounding breaks of deathcore and a variety of strong vocal
styles. “The Modern Dissident Movement” starts off slow but quickly explodes
into another frantic track before calming down once again.
Track 8, “Agoraphobia” is a more experimental song wherein the usual
death and mathcore stuff gets mixed up with industrial beats. The next song “Elysium”
is a meditative song which features a robotic voice reading Charlie Chaplin’s
iconic ending speech from “The Great Dictator” while the moody instruments
gradually become more numerous and intense. The album ends with the powerful “Mephistophelian”
one final, highly melodic tune during which Jonathan and Niccolo’s guitar work
truly shines along with Alessio’s typically convincing extreme vocal delivery,
Mattia’s crisp bass and Alan’s piercing drum work.
If you believe deathcore is just some screaming
with blast beats and distorted riffs than Bleed Someone Dry is more than
willing to prove you otherwise! Badass vocals, vicious beats and an often
recurring sense of melody make this one very enjoyable deathcore/mathcore
release! Fans of After the Burial will most definitely love this. Here’s the “Unorthodox”
title track!
80/100