
Spirituality and enlightenment
-- Obsidian Tide --
10/09/2019
Stijn Daneels

Album genres:
■ | Post-metal |
■ | Death Metal |
■ | Progressive Metal |
Album artists:
■ | Oz Avneya | Guitar, clean vocals |
■ | Shachar Bieber | Bass, grunts |
■ | Erez Nadler | Drums |
Review written by Glenn “Terra Shredder” Van Bockstaele.
Obsidian Tide is an Israelian progressive/death metal band founded in
2012. Recently we were contacted by Obsidian Tide’s bassist Shachar to check
out his band’s material. Stijn “Metal Shredder” quickly added one of their
songs (“The Harbinger and the Millennial Vengeance”) to our BELGIAN METAL
SHREDDER ON AIR radio show and now it’s my turn to shred through the band’s
independent debut album, “Pillars of Creation.”
“Pillars of Creation” is a concept album telling the tale of a man who
goes on a journey of enlightenment. On his journey he witnesses riveting
stories and learns horrible truths. Finally he makes a bold choice to follow
his conscience and his choices cause changes on a global scale. Music-wise,
Obsidian Tide plays the kind of music that Opeth would be playing if they had
remained a death metal act. Specifically, “Pillars of Creation” features
mid-paced and highly meditative tunes with relaxed vocals from guitarist Oz as
well as several fast and heavy death metal sections with grunts from bassist
Shachar and finally plenty of progressive metal guitar solos. In addition to
the traditional metal trio of guitar, bass and drums, Obsidian Tide also
employs many other instruments including flute, piano, saxophone, acoustic
guitar, violin and classic percussion as well featuring several guest
musicians, most famous among those is Symphony X’s bassist Mike LePond.
And with that large a musical arsenal, Obsidian Tide manages to make the
album’s lengthy tracks interesting and full of twists and turns. One awesome
example of this flexibility is the album’s third song, “King of a New Realm,” opening
with slow guitars and moaning violins before moving on to powerful metal beats
and roaring vocals from Shachar. Then going to a barrage of consecutive guitar
solos, a lengthy jazzy piano section, a short sample of footsteps and singing
birds before the metal riffs return and finally a crispy bass solo backed by
demonic whispers to wrap it all up! Another great song is the ending track, “Magnanimous”
with has some sweet saxophone tunes played alongside the heavy melodies.
All things considered, Obsidian Tide's debut album is an inspired modern
take on the progressive death metal subgenre. It’s a multi-faceted beast that invites
multiple listening sessions in order to fully experience everything this impressive
release has to offer. Here’s a “little” appetizer in the form of “The Harbinger
and the Millennial Vengeance.”
85/100